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Ferdine

The Femme Fatale in Film Noir
by Ferdine, Jul 1, 2008
Film Noir can be seen to dramatise male post-war anxiety about women assuming a more dominant position in society. This concept is embodied by the femme fatale, the dangerously attractive women. Film Noir heroes mirror the dismay felt by veterans returning home to find women in an alarming position of authority.
Comments(0)   Liked It: 7
Detour: A Classic Film Noir
by Ferdine, Feb 28, 2008
Initially the preserve of major Hollywood studios, film noir sprang out of 1930s gangster pictures such as Scarface and Public Enemy. The earliest examples retained the studio-look, star-casts, and generous budgets of their immediate predecessors, but combined them with a darker tone and less clear-cut moral centre.
Comments(0)   Liked It: 17
The Exorcist and the Rise of Feminism
by Ferdine, Feb 28, 2008
The film The Exorcist exemplifies a tendency of 1970s Hollywood to produce films that were ambiguous, multi-layered, and often partially illegible.
Comments(0)   Liked It: 18
Un Chien Andalou
by Ferdine, Feb 28, 2008
On the French surrealist film from the 1920s.
Comments(0)   Liked It: 10
Representations of Paris in Films of the French New Wave
by Ferdine, Feb 28, 2008
While a single view of the city is hard to find, the representation in key films tends to revolve around a limited number of themes.
Comments(0)   Liked It: 4
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