1. AVP (Alien Versus Predator)

   Putting the galaxy's foremost killing machines in a brawl with one another seems like a great idea, in that it's like seeing the damage a train can do to a skyscraper. Yes there will be destruction and mayhem caused by both parties, but at the end of the day it all proves to be rather pointless. Although I usually admire films that deliver what they promise just by its title (my personal favourite being “Elvis and Costello Meet Frankenstein”), the movie seemed like a large waste. A movie driven by violent action instead of an actual plot never really seems to impress me.

2. AVPR (Alien Versus Predator: Requiem)

   Given my opinion of the above, you can imagine my disappointment and mild outrage when I learned there would be a sequel. And although I am ashamed to admit that I actually watched it, I believe I can redeem myself by giving it such an arrogantly scathing review. First of all, however, when one consciously says to themselves “I want to watch AVPR” you are clinically retarded. Second, this movie suffered the same problem as the first: plot driven by random action sequences. You can easily save yourself the pain of this movie by watching AVP. It features flat and completely unlikable characters. My personal favourite (and by “favourite” I mean the one I loved to hate), was the “bully” character who seems to have been based on the villain of every 80s movie ever made.

3. Resident Evil: Extinction

   Resident Evil 1 and 2 weren't exactly Oscar worthy performances, but you can tolerate them because they were fun and shared a similar attitude felt by the games in that they take themselves so seriously yet their scripts seem to be written by 12 year olds. However, Resident Evil: Extinction, the third in the movie franchise, was in no way worth the time or money. On some levels the concept of adding zombies to “Mad Max” seems to work so long as it stars Bruce Campbell. The problem was that Resident Evil doesn't. Now I may be a bit bias here, but I am a huge Evil Dead fan and will watch anything Bruce Campbell stamps his name on simply because he adds a wonderful camp feel to everything he touches, which is by no means an insult. However, with Milla Jovovich the movie seems a complete failure. The script is so obviously tacky and poorly written you would expect that she could have a sense of humour about the fact she is a telekinetic/pyrokinetic human/zombie hybrid-clone (don't tell me you didn't see that coming). At least Bruce Campbell had the sense to liven his character up with phrases like “groovy” and “hail to the king, baby” even when he had to lob off his own hand and replace it with a chain saw.

4. The Descent

   If you don't remember this movie then (1) you are very lucky and (2) it doesn't surprise me. But recently I was in the mood for a claustrophobic mysterious thriller and spent 15 minutes trying to remember the name of this film, remembering its general plot only. It should be mentioned at this point that I am the kind of person who will willingly seek out movies I know are bad so I can hate them, then relay my hate of these movies through clever and witty remarks to my friends so I will become more popular. Shallow: yes. Enjoyable: sometimes. Logical: no. In any case, stay away from this movie at all costs. I'm sorry but when you can't even remember how many characters there are, or any of their names, or even identify the main character when they're standing amongst their friends in a cabin, you have done something to lose your viewers. Essentially, several young women, half of whom are apparently British, the other half apparently lesbians, decide to go spelunking in an unknown cave and come across human-like monsters that live there. There was so much wrong with the movie that I began to take it personally, believing that it hated me. As much as I would like to spend the time to explain to you how much I hate it and how much is wrong with it, that would take more time than is worth being given to this piece of shite.

5. The Highlander Sequels

   I don't know why specifically these came to mind. The first Highlander was bearable, namely because I'm a fan of Sean Connery. Actually, that was the sole reason why this movie was bearable. In any case, Highlander should have stuck to its goal and ensured there can only be one. If you don't get that reference then that disappoints me. The other two films, and the series they created out of them (if I remember correctly), were monumental flops. There is no need to do a sequel to a movie that claims once there is only one highlander, there can be no others thus immediately discrediting any plot the sequels might have had.

6. Any Movie That Came Out With A Sequel
   

   Many Years after its Original These are movies that had sequels which came too late. For example: Blues Brothers 2000, Caddy Shack 2, and Basic Instinct 2. Movies such as these are doomed to failure because they are released when the window to do so is long gone. Public affection for a film won't last forever, so releasing a sequel to a movie 13 years after it was released is pants-on-head retarded to say the least.

7. Spider-Man 3

   I am a total nerd, if you haven't already noticed, if not from this article then from one's past. So imagine my disappointment when I came out of this….thing. Spider-Man 1 and 2 were great movies, some of Sam Raimi's best. Granted they were no Evil Dead, but they still had Bruce Campbell. Spider-Man 3 started shaky when he began a self-narration sequence. I was immediately embarrassed for both Toby Maguire for having to do that, and for me, for having to listen to it. Luckily he made a decent recovery and the first hour or so of the movie was actually good. Unfortunately, the instant Peter Parker began dancing in the street, acting and dressing and looking like an emo kid, I lost faith. I had hoped the movie would not have gotten any worse than that, but I was wrong. I cannot forgive the horrible error of casting Topher Grace as Eddie Brock/Venom. Nor can I forgive the writer of the screenplay for having Venom write “Come out, Spiderman” in a web. I could go on, but as you may have already noticed, I am getting lazy (see numbers 5 and 6). All-in-all, the end of that movie completely ruined it, and the Spiderman franchise. This could only mean they will do another, of course.

Not exactly the best movie ever made, but the ending was in a category of its own. The hunt for the final dragon is nicely suspenseful and the running scenes of the group splitting up are beautifully shot. With Denton Van Zan's final leap off the tower, axe in hand, head first into the dragon, and Quinn Abercromby's arrow shot that explodes the beast, throwing Quinn backwards, comes an ending that left audiences saying “holy [insert explicit here]!”

V for Vendetta

The buildup with the domino scene, the rallying of the people and the final fight just screamed “epic ending.” The musical score is excellent the entire way and builds up the scene with plenty of emotion and excitement. The explosion of the Big Ben to the 1812 overture by Tchaikovsky made jaws drop around the theater, and is only topped with the unmasking of the people along with Evey's final words describing V as the man in “all of us.”

Scarface

Who can forget one of the most quoted lines in all of movie history? With his end coming closer and closer, Tony Montana tries to defend the empire he worked so hard to get. Everyone knows he will die, but there's no doubt that it will be one crazy fight. With enough drugs in his body to fill the pool he falls into so tragically, Tony has a shoot-out of the ages, and left movie goers saying “Say hello to my little friend!” for over two decades.

Gladiator

This winner of Best Picture had one of the most epic endings ever, and this is partway due to the fantastic soundtrack. Maximus and Commodus's final fight is incredibly intense and gripping, and Commodus's last breaths (or, should I say, gurgles) are bittersweet as Maximus falls alongside him. But the last scene - Juba's final lines, filled with grief and hope, along with Hans Zimmer's “Now We Are Free” soundtrack - fills the viewer with plenty of goose bumps, and is one of the most inspiring, touching, and epic endings in a movie.

The Matrix

There comes a movie every now and then with an incredible story and revolutionary special effects, and The Matrix is one of those movies. Whether you liked the sequels or not, the ending to this movie is perfectly epic in that it concludes the movie with perfect execution (resulting in satisfaction) yet it leaves the viewer excited and wondering what could happen in a future installment. From the building shootout, to the helicopter rampage, to Neo and Smith's final fight, the action never lets down and only gets increasingly better. The final act, with the rebirth of Neo as “The One,” the death of Agent Smith, and the take off of Neo into the sky with “Wake Up” by Rage Against the Machine playing in the background is legendary, and arguably the most EPIC conclusion to a movie ever made.